Believe In Magic

what i want to happen but probably won’t

joshbroban:

no but the school musical should be Moulin Rouge! with Blaine as Christian

and Tina wants to be Satine SO BAD

and she fights for it but everyone thinks Marley should get the lead, even Artie

and so she just kinda gives up and is upset because she’s being overshadowed AGAIN

and she sings “One Day I’ll Fly Away” in the auditorium and she’s crying

and whoever’s casting sees her and shE GETS IT PLEASE

and then obviously Kurt and Blaine do Come What May

but it’s after the break-up and it’s not like they’re actually singing to each other onscreen

it’s playing in the background (like Tongue Tied)

and you just see Kurt at the end of their last performance and he’s standing outside with a bouquet of flowers and then there’s a flashback to the staircase

and blaine runs to him and then THE NOTEBOOK KISS PLEASEEEE

omfg please

#ThingsThatAreCompletelyPerfectAndOhMyGodPleaseReadThisRyanMurphyThisKidCouldWriteTheFuckingShowForYou


Glee to Air Super-Sized [Spoiler]-Themed Episode on May 15

leajononline:

Check out some spoilers for an upcoming episode of Glee airing May 15:

Fox is turning Glee‘s third trip to Nationals into an all-night event.

Sources confirm to TVLine exclusively that the network is combining the show’s 20th and 21st installments into one, two-hour episode on Tuesday, May 15.

But it’s the first of those two hours — which finds New Directions planning for the annual competition — that is likely to generate the most watercooler chatter. That’s because in the midst of rehearsing their new routine, Tina (Jenna Ushkowitz) suffers a mild head injury and begins to experience a different — yet oddly familiar — alternate reality.

The plot would seem to give context to recent photos from the set showing the cast swapping roles — i.e. Mark Salling (Puck) playing Blaine, Cory Monteith (Finn) dressed up as Kurt, and the aforementioned Ushkowitz channeling Rachel.

Tina’s warped perspective presumably returns to normal in time for Nationals, which serves as the focus of Hour 2.

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